Instead of specifying the sample rate, channel count/map, etc. to the
PlaybackStream, we'll now use the output device's sample specification
whenever possible. If necessary, the stream will fall back to sane
default.
This hugely simplifies AudioMixingSink, since it no longer has to take
care of reinitializing the stream with a new sample specification when
it encounters a track with a higher sample rate or more channels. We
wouldn't be likely to benefit from this anyway, since it turns out that
at least Windows's virtual surround doesn't work through WASAPI at all,
and WASAPI likely wouldn't support downmixing.
This commit breaks playback of audio files that don't match the system
default audio device's sample rate and channel count. The next commit
introduces a converter into the pipeline to allow mixing of any sample
specification.
We were already assuming that our streams were using floats, we may as
well hardcode this. If we ever encounter a platform API that doesn't
support or convert from float, we can always bring this back.
Also, since we don't support big-endian systems, remove that check in
PulseAudioWrappers.
We should be fine to just fall back to zero or the last returned value
if we encounter an error in PlaybackStream::total_time_played(), and
this also simplifies the using code.
The SharedSingleProducerCircularQueue used here has dubious value, This
queue is used to pass commands to the audio thread, such as play/pause/
seek/volume change/etc. We can make do with a simple locked vector, as
we were blocking to enqueue tasks anyways. We can also use an atomic
bool to tell the audio thread when it needs to take a lock on the task
queue, to keep the thread lock-free most of the time.
Instead of having to duplicate the audio stream backend conditions, just
define PlaybackStream::create in each audio backend implementation file.
We provide a weak definition in PlaybackStream.cpp as the fallback.
